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abillyhiggins

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  • in reply to: February is audio month~! #3224
    abillyhiggins
    abillyhiggins
    Participant

    Thank you so much for your quick and informative response!

    I was curious what your opinion was on slice of life, since I saw that “drama” was one of the genres you were most interested in, and was wondering what definition of drama was being used. I appreciate your clarification of that, as well as your summation of a good Sparkler submission as featuring “really bad things happening to characters they love, really good things happening to characters they love.” That’s a helpful phrase and one which I will keep in mind as I try and put together another pitch.

    “TJ and Amal” has an interesting opening. I’ll have to add that to my to-read list.

    I agree that research is so important when dealing with trans* characters/narratives. The trans* world definitely needs more representation, but that representation needs to be fueled by a truth — and there are a number of truths which wouldn’t be readily apparent to a cis person who hasn’t read up on the subject (and even a cis person who has read up on the subject can still be subject to the vagaries of writing about a topic they haven’t personally experienced).

    Thank you so much for your time, and I hope you get a bunch of great pitches!

    in reply to: February is audio month~! #3222
    abillyhiggins
    abillyhiggins
    Participant

    Wow, thank you so much for starting this thread! I wanted to submit, but was wondering if I was on the right track or not. What perfect timing!

    Here’s my pitch:

    Night Owls is a mood — the hushed yet momentous feeling that strikes when you’re having a one-one-one conversation at three in the morning. It features the philosophical ramblings of an A-student named Charlie, who’s watching her life crumble before her eyes. As well, it features those of a drunk, insomnia-ridden FtM trans man named Louis whose life crumbled when he was just a kid. The hope is to chart the development of Louis and Charlie over the course of four conversations, as Louis looks for his estranged mother, and Charlie deals with a dead mother and loss of purpose. It’s a slice-of-life college drama, broken up into four distinct chapters, each roughly 22 minutes long. Each of these chapters will revolve around one night’s conversation — each night taking place roughly two weeks after the last one.

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